"Sexual Politics in Scandinavia"
Scand. 438 Lit Trans 438
Spring 2021
Monday-Wednesday-Friday 11-11:50
Chamberlin Hall, C 2103
Nete Schmidt,Ph.D. aschmidt2@wisc.edu, 1368 Van Hise, Office hours T- R 12:15-1 and by appointment |
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Required Texts:
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Participation: In order to do well in this course, you should attend every class period and participate actively in class discussion and presentations. You should be prepared for every class by having read and thought about the scheduled text, so you can share your thoughts and insights and benefit from listening to your fellow students. If you are going to be absent, please let me know in advance. If you are unable to attend a class, please call a classmate to find out what went on, so you will be up-to-date with assignments. |
Presentations: Each student will give two-three 20-minute power point presentations of one of our authors and texts. Presentations should provide a general summary of the author’s life and work and discuss, in particular, styles and themes associated with the author. Students should provide a brief handout for the class including questions to initiate a discussion about the reading by the author chosen for the class. |
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The Syllabus: The syllabus shows the reading and discussion topic for each day of the week, so the first entry is the reading for Monday, the second entry the reading for Wednesday, and the third entry the reading for Friday. Please read the texts listed so you are able to participate in class discussions. The course will consist of lectures, presentations, and discussion. |
Formal Essay: You will write one 3-5 page (750-1250 words) analysis of the readings that we have studied during the course. Topics for the essay will be provided. You must include outside sources in your essay to make it more academic.
Your essay must be word-processed, double-spaced in MLA format. All should have a standard heading on the top left corner of the page (your name, date, my name, class), and each paper should have a title. The formal essay is due on April 30.
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Exams: The first exam is on Wednesday, March 10, during class. The second exam is on Friday, April 30, during class. |
Plagiarism: You must give credit to any source you use for ideas or wording. Representing the ideas and words of another as one’s own is a violation of the standards for academic honesty. Do NOT buy papers from the web as that is academic dishonesty and will result in a failing grade for the class. Plagiarism, which is defined as the deliberate use of another’s ideas or words as if they were one’s own, can take many forms such as: - Borrowing, buying or stealing a paper from elsewhere; lending or selling a paper for another’s use as his or her own; using printed material written by someone else as one’s own Sanctions recommended for dishonesty are an “F” on the assignment and/or an “F” in the course. More serious violations may be referred to the Academic Dean’s Office for appropriate action. |
Syllabus - liable to change!
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Readings & Discussions. UW = reading is online in Canvas |
Week 1 Jan. 25, 27, 29
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Introduction to the class, syllabus,
Suzanne Brøgger: “Who Needs Witches?” 1976 UW, Sign up for presentations
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Week 2 Feb 1, 3, 5
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Victoria Benedictsson “Happiness” 1884 UW
August Strindberg “Miss Julie” 1888 UW or https://archive.org/stream/missjulieotherpl00striiala/missjulieotherpl00striiala_djvu.txt
Charlotte Perkins Gilman, “The Yellow Wallpaper” 1892
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Week 3 Feb. 8, 10, 12
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Amalie Skram: Betrayed, 1892 (M & W) UW
Friday Movie Time. “The Yellow Wallpaper” Watch any or all of these three selections:
Masterpiece Theatre, 8 parts. Here is no. 1, and the others will be listed if you play this one: https://www.youtube.com/watch?v=BAJm6gFJb4I
Vimeo: https://vimeo.com/95343563
Imbd: http://www.imdb.com/video/imdb/vi2524552473
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Week 4 Feb. 15, 17, 19
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Lecture on Amalie Skram Constance Ring, 1885
Lecture on Kristian Krogh Albertine, 1886
Poems by Karin Boye |
Week 5 Feb.22, 24, 26 |
Poems by Edith Södergran, 1923 UW (M & W)
Cora Sandel: “Thank you Doctor” 1927 UW
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Week 6 March 1, 3, 5
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Cora Sandel: “A Mystery” 1927 UW
Cora Sandel: “The Art of Murder” 1927 UW
Suzanne Brøgger: “No Man’s Land” 1975 UW
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Week 7 March 8, 10, 12
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Isak Dinesen: “The Blank Page” 1958 UW First exam (W)
Isak Dinesen: “Ehrengaard” 1958 |
Week 8 March 15, 17, 19
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Isak Dinesen: “Babette’s Feast” 1958 (M & W)
Movie "Babette's Feast" streamed (F - on your own time) |
Week 9 March 22, 24, 26
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Tove Ditlevsen: The Faces, 1968 (M & W) UW
Dorrit Willumsen: “A Couple” 1982 UW
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Week 10 March 29, 31
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Solvej Balle: According to the Law, 1993 UW (M & W)
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Week 11 April 5, 7, 9 |
Gerd Brantenberg: Egalia’s Daughters, 1986 (M & W) Laurie Halse Anderson and Rupi Kaur UW |
Week 12 April 12, 14, 16
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Inger Christensen “It” 1969 UW
Kerstin Ekman: “A City of Light” 1983 UW
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Week 13 April 19, 21, 23
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Astrid Lindgren: Pippi Longstocking, 1945-48, 2000 |
Week 14 April 26, 28, 30
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Sissel-Jo Gazan: The Arc of the Swallow, 2013 (M & W)
Formal Essay due
Second Exam (F)
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University of Wisconsin-Madison, Syllabus, Scand. Studies 438 / Lit in Trans 438, Sexual Politics in Scandinavia.
Credits: 4
Course URL: https://canvas.wisc.edu/courses/240112
Course Designation and Attributes:
Breadth - Literature. Counts toward the Humanities req
Level - Intermediate / Advanced
L&S Credit - Counts as Liberal Arts and Science credit in L&S
Grad 50% - Counts toward 50% graduate coursework requirement
M-W-F 11:00-11:50, Chamberlin Hall, C 2103
Instructional Mode: Face-to-Face
Credit hours: Traditional Carnegie Definition
Instructor: Faculty Associate Nete Schmidt
Office Hours: Tuesday and Thursday 12:15-1 pm and by appointment
Email: aschmidt2@wisc.edu
Course Description:
The purpose of this class is to explore female and male writers from Scandinavia who, in their works, focus on the role of women. We will read novels, short stories, poems, and theory in both a historical and literary context.
Further, we will compare the role of women in Scandinavia to that of women in the U.S. before and now.
We will use movies to enhance our appreciation of the depictions of women.
Course Learning Outcomes:
The students will gain an ability to identify and understand the categories depicting the position of women in Scandinavia as portrayed through various works of literature
The students will gain an ability to analyze and discuss the important features characterizing the position of women in Scandinavia as portrayed through various works of literature
The students will achieve the ability to compose and produce writing that applies the concepts introduced to describe, analyze, and differentiate the position of women as portrayed through various works of literature about Scandinavian women.
Grading:
Participation: 15%
3 presentations and write-ups: 45%
Formal Essay: 10%
2 exams: 30 %
Required Textbooks:
Amalie Skram: Betrayed
Isak Dinesen: Anecdotes of Destiny
Gerd Brantenberg: Egalia’s Daughters
Astrid Lindgren: Pippi Longstocking
Tove Ditlevsen: The Faces
Sissel-Jo Gazan: The Arc of the Swallow
A number of short stories, plays, and poems.
Exams etc:
The class has two-three presentations with write-ups, two exams, and one formal essay
Homework is assigned every week according to the detailed syllabus.
Accommodations for students with disabilities:
The University of Wisconsin-Madison supports the right of all enrolled students to a full and equal educational opportunity. The Americans with Disabilities Act (ADA), Wisconsin State Statute (36.12), and UW-Madison policy (Faculty Document 1071) require that students with disabilities be reasonably accommodated in instruction and campus life. Reasonable accommodations for students with disabilities is a shared faculty and student responsibility. Students are expected to inform faculty [me] of their need for instructional accommodations by the end of the third week of the semester, or as soon as possible after a disability has been incurred or recognized. Faculty [I], will work either directly with the student [you] or in coordination with the McBurney Center to identify and provide reasonable instructional accommodations. Disability information, including instructional accommodations as part of a student's educational record, is confidential and protected under FERPA.
Diversity:
Diversity is a source of strength, creativity, and innovation for UW-Madison. We value the contributions of each person and respect the profound ways their identity, culture, background, experience, status, abilities, and opinion enrich the university community. We commit ourselves to the pursuit of excellence in teaching, research, outreach, and diversity as inextricably linked goals.
The University of Wisconsin-Madison fulfills its public mission by creating a welcoming and inclusive community for people from every background - people who as students, faculty, and staff serve Wisconsin and the world.