"The Woman in Scandinavian Literature"
Scand. 420 Lit Trans 343
Spring 2019
Monday-Wednesday-Friday 11-11:50
Van Hise 223
Nete Schmidt,Ph.D. aschmidt2@wisc.edu, 1368 Van Hise, Office hours T- R 12:15-1 and by appointment |
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Required Texts:
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Participation: In order to do well in this course, you should attend every class period and participate actively in class discussion and presentations. You should be prepared for every class by having read and thought about the scheduled text, so you can share your thoughts and insights and benefit from listening to your fellow students. If you are going to be absent, please let me know in advance. If you are unable to attend a class, please call a classmate to find out what went on, so you will be up-to-date with assignments. |
Presentations: Each student will give three 20-minute power point presentations of one of our authors and texts. Presentations should provide a general summary of the author’s life and work and discuss, in particular, styles and themes associated with the author. Students should provide a brief handout for the class including questions to initiate a discussion about the reading by the author chosen for the class. |
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The Syllabus: The syllabus shows the reading and discussion topic for each day of the week, so the first entry is the reading for Monday, the second entry the reading for Wednesday, and the third entry the reading for Friday. Please read the texts listed so you are able to participate in class discussions. The course will consist of lectures, presentations, and discussion. |
Formal Essay: You will write one 3-5 page (750-1250 words) analysis of the readings that we have studied during the course. Topics for the essay will be provided. You must include outside sources in your essay to make it more academic.
Your essay must be word-processed, double-spaced in MLA format. All should have a standard heading on the top left corner of the page (your name, date, my name, class), and each paper should have a title.
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Exams: The first exam is on Wednesday, March 13, during class. The second exam is on Wednesday, May 1, during class. |
Plagiarism: You must give credit to any source you use for ideas or wording. Representing the ideas and words of another as one’s own is a violation of the standards for academic honesty. Do NOT buy papers from the web as that is academic dishonesty and will result in a failing grade for the class. Plagiarism, which is defined as the deliberate use of another’s ideas or words as if they were one’s own, can take many forms such as: - Borrowing, buying or stealing a paper from elsewhere; lending or selling a paper for another’s use as his or her own; using printed material written by someone else as one’s own Sanctions recommended for dishonesty are an “F” on the assignment and/or an “F” in the course. More serious violations may be referred to the Academic Dean’s Office for appropriate action. |
Syllabus - liable to change!
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Readings & Discussions. UW = reading is online in learn@UW
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Week 1 Jan. 23, 25
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Introduction to the class, syllabus,
Suzanne Brøgger: “Who Needs Witches?” 1976 UW, Sign-up for presentations |
Week 2 Jan. 28, 30, Feb. 1
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Victoria Benedictsson Money, 1885 UW
Victoria Benedictsson “Happiness,” 1884
August Strindberg “Miss Julie,” 1888 http://www.emporia.edu/~bartruff/docs/Miss%20Julie.pdf
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Week 3 Feb. 4, 6, 8
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Amalie Skram: Betrayed, 1892 (M & W)
Friday Movie Time. “The Yellow Wallpaper” Watch any or all of these three selections:
Masterpiece Theatre, 8 parts. Here is no. 1, and the others will be listed if you play this one: https://www.youtube.com/watch?v=BAJm6gFJb4I
Vimeo: https://vimeo.com/95343563
Imbd: http://www.imdb.com/video/imdb/vi2524552473
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Week 4 Feb. 11, 13, 15
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Charlotte Perkins Gilman, “The Yellow Wallpaper” 1892
Lecture on Amalie Skram Constance Ring
Lecture tbd
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Week 5 Feb.18, 20, 22 |
Poems by Edith Södergran, 1923 UW (M & W)
Poems by Karin Boye http://www.karinboye.se/verk/dikter/dikter-en.shtml
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Week 6 Feb. 25, 27, March 1
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Cora Sandel: “Thank you Doctor,” 1927 UW
Cora Sandel: “A Mystery”, 1927 UW
Cora Sandel: “The Art of Murder,” 1927 UW
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Week 7 March 4, 6, 8
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Isak Dinesen: “The Blank Page,” 1958 UW
Isak Dinesen: “Ehrengaard”, 1958
Suzanne Brøgger: “No Man’s Land,” 1975 UW |
Week 8 March 11, 13, 15
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Isak Dinesen: “Babette’s Feast,” 1958
First exam (W)
Movie "Babette's Feast" streamed (F - on your own time)
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Week 9 March 25, 27, 29
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Tove Ditlevsen: The Faces, 1968
Dorrit Willumsen: “A Couple,” 1982 UW
Bjørg Vik: “The Breakup,” 1979 UW
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Week 10 April 1, 3, 5
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Gerd Brantenberg: Egalia’s Daughters, 1986 |
Week 11 April 8, 10, 12
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Inger Christensen “It,” 1969 UW
Solvej Balle: According to the Law, 1993 UW (W and F)
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Week 12 April 15, 17, 19
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Astrid Lindgren: Pippi Longstocking, 1945-48, 2000
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Week 13 April 22, 24, 26
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Sissel-Jo Gazan: The Arc of the Swallow, 2013
Formal Essay due |
Week 14 April 29, May 1,3
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Kerstin Ekman: “A City of Light,” 1983 UW
Second Exam (W)
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University of Wisconsin-Madison, Syllabus, Scand. Studies 420 / Lit in Trans 343, The Woman in Scandinavian Literature.
Credits: 4
Course URL: https://canvas.wisc.edu/courses/133925 and https://canvas.wisc.edu/courses/138855
Course Designation and Attributes:
Breadth - Literature. Counts toward the Humanities req
Level - Advanced
L&S Credit - Counts as Liberal Arts and Science credit in L&S
Grad 50% - Counts toward 50% graduate coursework requirement
M-W-F 11:00-11:50, Van Hise 223
Instructional Mode: Face-to-Face
Credit hours: Traditional Carnegie Definition
Instructor: Faculty Associate Nete Schmidt
Office Hours: Tuesday and Thursday 12:15-1 pm and by appointment
Email: aschmidt2@wisc.edu
Course Description:
The purpose of this class is to explore female and male writers from Scandinavia who, in their works, focus on the role of women. We will read novels, short stories, poems, and theory in both a historical and literary context.
Further, we will compare the role of women in Scandinavia to that of women in the U.S. before and now.
We will use movies to enhance our appreciation of the depictions of women.
Requisites: 2 years of Scandinavian language or equivalent. Instructor’s consent.
Course Learning Outcomes:
The students will gain an ability to identify and understand the categories depicting the position of women in Scandinavia as portrayed through various works of literature
The students will gain an ability to analyze and discuss the important features characterizing the position of women in Scandinavia as portrayed through various works of literature
The students will achieve the ability to compose and produce writing that applies the concepts introduced to describe, analyze, and differentiate the position of women as portrayed through various works of literature about Scandinavian women.
Grading:
Participation: 15%
3 presentations and write-ups: 45%
Formal Essay: 10%
2 exams: 30 %
Required Textbooks:
Amalie Skram: Betrayed
Isak Dinesen: Anecdotes of Destiny
Gerd Brantenberg: Egalia’s Daughters
Astrid Lindgren: Pippi Longstocking
Sissel-Jo Gazan: The Arc of the Swallow
A number of short stories, plays, and poems.
Exams etc:
The class has three presentations with write-ups, two exams, and one formal essay
Homework is assigned every week according to the detailed syllabus.
Accommodations for students with disabilities:
The University of Wisconsin-Madison supports the right of all enrolled students to a full and equal educational opportunity. The Americans with Disabilities Act (ADA), Wisconsin State Statute (36.12), and UW-Madison policy (Faculty Document 1071) require that students with disabilities be reasonably accommodated in instruction and campus life. Reasonable accommodations for students with disabilities is a shared faculty and student responsibility. Students are expected to inform faculty [me] of their need for instructional accommodations by the end of the third week of the semester, or as soon as possible after a disability has been incurred or recognized. Faculty [I], will work either directly with the student [you] or in coordination with the McBurney Center to identify and provide reasonable instructional accommodations. Disability information, including instructional accommodations as part of a student's educational record, is confidential and protected under FERPA.
Diversity:
Diversity is a source of strength, creativity, and innovation for UW-Madison. We value the contributions of each person and respect the profound ways their identity, culture, background, experience, status, abilities, and opinion enrich the university community. We commit ourselves to the pursuit of excellence in teaching, research, outreach, and diversity as inextricably linked goals.
The University of Wisconsin-Madison fulfills its public mission by creating a welcoming and inclusive community for people from every background - people who as students, faculty, and staff serve Wisconsin and the world.